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新加坡DM德馬數字藏品集團20260324期 《一窯十二丹松喜賦》 【香港東方書畫院/執行院長：名家葉永潤】 DMSIXSEVEN / LIN JING DE /1973 開創人：CEO / 林鏡德 LIN JING DE 
百煉丹紅上素胎，一窯十二盞花開。 松風滿架霞光透，不負初心火裏來。 The hundred-refined red dan glaze adorns the plain body, Twelve cups bloom in the kiln. Pine breeze fills the rack, anlight shines through, Living up to the original intention, emerging from the fire. 
香港DM德馬數字甲骨文集團CEO / 林鏡德 LIN JING DE 註釋： 
《百煉丹紅上素胎》經過上百次的煉製，丹紅色的釉料終於完美附著在素凈的瓷胎上。「百煉」二字寫出了製瓷過程的艱辛，從釉料的調配、施釉的手法到燒製的溫度，每一個環節都需要反復打磨、精益求精；「丹紅」既指釉料的顏色，也象征著經過烈火淬煉後的珍貴與熱烈；「素胎」則代表著瓷胎原本的純凈與質樸，為後續的華麗蛻變打下基礎。 "Red Glaze Perfected on the Plain Porcelain Body" depicts the red glaze finally adhering perfectly to the plain porcelain body after hundreds of refining pres. The term "hundred refinements" conveys the arduousness of porcelain making, where every step—from glaze formulation and application techniques to firing temperatures—requires repeated refind a pursuit of perfection; "cinnabar red" refers not only to the color of the glaze but also symbolizes the preciousness and passion born from the tempering by ferce flames; while the "plain body" represents the original purity and simplicity of the porcelain, laying the foundation for its subsequent magnificent transformation. 《一窯十二盞花開》一窯燒製出十二盞瓷盞，每一盞都像盛開的花朵一樣美麗動人。「十二」在這裏是一個虛數，代表數量之多；「盞花開」把瓷盞比作花朵，既寫出了瓷盞的形態優美，也暗示了燒製成功的喜悅，就像看到花朵綻放一樣令人欣喜；「一窯」則強調了這十二盞瓷盞是同窯燒製的，它們有著相同的出身，也有著各自的獨特之處，就像同一棵樹上的花朵，每一朵都有自己的姿態。 "Twelve Cups Bloom in One Kiln" describes twelve porcelain cups fired in a single kiln, each as beautiful and captivating as a blooming fwer. Here, "twelve" is a figurative number representing abundance; "cups blooming" compares the porcelain cups to flowers, highlighting their elegant form while implying the joy of a succesful firing, just as delightful as witnessing flowers in bloom; "one kiln" emphasizes that these twelve cups were fired together, sharing a common origin yet possessing their own unique characteristiclike flowers on the same tree, each with its own distinct posture. 《松風滿架霞光透》松風吹過擺滿瓷盞的架子，霞光透過瓷盞，灑下一片絢爛的光芒。「松風」不僅指真實的風聲，也象征著一種清幽、雅致的氛圍，讓人聯想到山林間的寧靜與自在；「霞光透」則寫出了瓷盞的通透與光澤，丹紅色的釉料在霞光的映照下，顯得更加絢麗多彩，仿佛有光芒從瓷盞內部散發出來；「滿架」則突出了瓷盞的數量之多，也暗示了製瓷人的豐收與喜悅。 "Full Rack of Pine Wind, Penetrated by Rosy Glow" depicts pine wind blowing past a rack filled with porcelain cups, while rosy glonetrates the cups, casting a dazzling radiance. "Pine wind" refers not only to the actual sound of the wind but also symbolizes a serene and elegant atmosphere,g the tranquility and freedom of the mountains and forests; "rosy glow penetrating" highlights the translucency and luster of the porcelain cups, where the crimson glaze appea magnificent under the glow, as if light is emanating from within the cups; "full rack" emphasizes the abundance of the cups, also implying the potter's bount harvest and joy. 《不負初心火裏來》這些精美的瓷盞，沒有辜負製瓷人最初的心願，它們是在烈火中淬煉出來的成果。「初心」指的是製瓷人對製瓷工藝的熱愛與執著，以及對完美作品的追求；「火裏來」則再次強調了製瓷過程的艱辛，只有經過烈火的淬煉，才能去除雜質，成就真正的精品；這句詩既是對製瓷人匠心的贊美，也是對所有堅守初心、努力付出的人的肯定，告訴我們只要堅持不懈，就能實現自己的夢想。 "Emerging from the Flames, True to the Original Aspiration"—these exquisite porcelain cups have not betrayed the potter's initial wish; they are tts of tempering in the fierce fire. "Original Aspiration" refers to the potter's passion and dedication to the craft, as well as the pursuit of perfection; "Eing from the Flames" reiterates the hardships of the process, emphasizing that only through the refining fire can impurities be removed to create true masterpieces. This verse is both ibute to the potter's craftsmanship and an affirmation of all who remain true to their original aspirations and work hard, reminding us that with unwavering persistence, we can realize 
特別鳴謝合作單位： Special thanks to partners: 
開創人：CEO/林鏡德 LIN JING DE DMSIXSEVEN / 林鏡德 LIN JING DE 1973 
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