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臺灣DM德馬甲骨文數字文化非遺傳承館20260204期 新加坡DM德馬數字藏品集團 《歲寒三友》釉裏紅瓷瓶 【香港東方書畫院/執行院長：名家葉永潤】 DMSIXSEVEN / LIN JING DE /1973 開創人：CEO / 林鏡德 LIN JING DE 
三入窯火淬冬深，釉裏丹紅映翠林。 瓷都求索終如意，松竹梅開見人心。 Three times into the kiln's fire to temper the cold depths of winter, the glaze's vermilion red reflects the emerald forest.The porcelain capital seeks and finally attains its wish, the pine, bamboo, and plum blossom open to reveal the heart of man. 
香港DM德馬數字甲骨文集團 CEO / 林鏡德 LIN JING DE 註釋： 這首詩以瓷器燒製為背景，借「三入窯火」的艱辛過程，隱喻人生或藝術追求中的磨礪與堅持，最終以「松竹梅」的意象收束，傳遞出堅韌、高潔、圓滿的精神境界。全詩語言凝練，畫面感強，既有對傳統工藝的致敬，也蘊含對人格理想的寄托。 《三入窯火淬冬深》瓷器需經多次入窯燒製（「三」為虛指，強調反復），在寒冬深處（「冬深」點明時令）的窯火中淬煉。 「窯火」象征考驗與磨難，如人生中的挫折、困境；「冬深」暗示環境的嚴酷，強化過程的艱難；「三入」體現反復嘗試、不放棄的精神，呼應「千錘百煉」的哲理。 《釉裏丹紅映翠林》瓷器釉層下透出鮮艷的紅色（「丹紅」），與翠綠的紋飾（「翠林」）相互映襯。「丹紅」與「翠林」形成色彩對比，象征內在熱情與外在生機的結合；釉下之色需經高溫顯色，暗喻才華或品質需經磨礪方能展現；指青花釉裏紅等名貴瓷種，體現對傳統技藝的贊美。 《瓷都求索終如意》在瓷器之都（景德鎮）的探索與追求，最終達成心願（「如意」）。「瓷都」既是實指產地，也象征藝術或事業的聖地；「求索」呼應前文的「三入窯火」，強調長期努力與堅持；「終如意」傳遞苦盡甘來的欣慰，體現對過程與結果的雙重肯定。 《松竹梅開見人心》松、竹、梅（「歲寒三友」）在瓷器上綻放，映照出製作者的品格與心境。 松竹梅象征高潔、堅韌、孤傲的君子之風，將瓷器升華為人格的載體； 「見人心」點明主旨：藝術作品是創作者精神的投射，唯有經得起考驗的匠心，才能成就傳世之作； 與首句「窯火」呼應，形成「磨難—成就—品格」的完整邏輯鏈。 
This poem, with porcelain firing as the backdrop, uses the arduous process of "three entries into the kil fire" to metaphorically express the tempering and perseverance in life or artistic pursuits. It concludes with the image of "pine, bamboo, and plum", conve a spirit of tenacity, nobility, and perfection. The language of the entire poem is concise, with a strong sense of imagery, paying tribute to traditional crafts and containing the of personal ideals. The porcelain needs to be fired in the kiln multiple times ("three" is a virtual reference, emphasizing repetition), tempered in the winter ("deep winter" indicates the season). "Kiln fire" symbolizes tests and tribulations, such as setbacks and difficulties in life; "deep winter implies the severity of the environment, intensifying the hardship of the process; "three entries" embodies the spirit of repeated attempts and perseverance, echoing the philosophy ofthousands of hammers and hundreds of fires". Under the glaze layer of the porcelain, a bright red ("cinnabar red") is, contrasting with the green pattern ("green forest"). "Cinnabar red" and "green forest" form a color contrast, symbolizing the combination of inner and external vitality; the color under the glaze needs to be shown at high temperature, which is a metaphor for the need for tempering to show talent or quality; it to precious porcelain varieties such as underglaze red, which reflects the praise of traditional technology. The exploration and pursuit in the capital of porcelain (Jingdehen) finally achieved the wish ("as you wish"). "Capital of Porcelain" is both a reference to the place of origin and a symbol of the holy of art or career; "exploration" echoes the "three entries into the kiln fire" in the previous text, emphasizing long-term efforts and perseverance; "ually as you wish" conveys the relief of hardships and the sweetness of success, reflecting the dual affirmation of the process and the result. The pine, bamboo and plum ("the three friends of the cold year") bloom on the porcelain, reflecting the character and mood of the maker. Pine, bamboo, and plum symbolize noble, tough, and proud style of a gentleman, elevating the porcelain into a carrier of personality; "see the human heart" points out the theme: artistic works are projection of the creator's spirit, and only a craftsmanship that stands the test can create a masterpiece that lasts for ages; it echoes the "kiln fire" in the sentence, forming a complete logical chain of "tribulation—achievement—personality". 
特別鳴謝合作單位： Special thanks to partners: 
開創人：CEO/林鏡德 LIN JING DE DMSIXSEVEN / 林鏡德 LIN JING DE 1973 
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